“Vocal embellishment in 18th-century Naples: solfeggio patterns in pre-composed cadenzas in sacred pieces by Gennaro and Gaetano Manna”, Early Music 50/1 (2022).

Journal Article / Articolo in rivista

(peer-reviewed)

Rivista Classe A / Class A Journal (Italian system)

“I notturni di Adolfo Fumagalli. Considerazioni stilistiche su una possibile ‘scuola’ pianistica lombarda”, Ad Parnassum 19/36 (2021), 55-82.

Paper on Journal / Articolo su Ad Parnassum (2021), 19/36, 55-82

(peer reviewed)

“Evidence of the Practical Application of Solfeggio Patterns in the Manuscript for the 1707 Neapolitan Performance of La fede tradita e vendicata by Gasparini and Vignola”

Journal article / Articolo su rivista Eighteenth Century Music, 18/1 (2021), 171-184.

(peer reviewed)

Link

“«Oltre il recitare nelle commedie, possedeva ancora l’abilità di cantare». Note a margine della carriera di Rosa Costa, comica dell’Arte, interprete comica, interprete seria.”

Conference Presentation / Presentazione in conferenza “Canterine e virtuose sulle scene teatrali del XVIII secolo”, Reggio Calabria, 1-2 October, 2018.

Intervista con / Interview with Nikhil Hogan – The Learn Partimento Podcast

Intervista sull’articolo su Eighteenth-Century Music

Interview on the solfeggio article on Eighteenth-Century Music

Francesco Durante, “Lamentationes Jeremiae Prophetae”, “Juravit Dominus”

Esecuzione in prima mondiale in tempi moderni di due brani sacri di Francesco Durante, Festival Francesco Durante, II edizione, Frattamaggiore, 9 maggio 2021.

World premiere of two sacred pieces by Francesco Durante, Festival “Francesco Durante”, 2nd Edition, Frattamaggiore, 9 May 2021.

“Gender matters in early eighteenth-century intermezzi”

Conference Presentation / Presentazione in conferenza “Music, Queer, Intersections”, Edge Hill
University, May 26-27, 2017.

“Filippo Filippi and Adolfo Fumagalli: a Failed Attempt at Establishing a Musical Reputation at the Threshold of the Risorgimento”.

Conference Presentation / Presentazione a conferenza “Romantic Reputations”, Nottingham, April 16, 2021.

“Political Disturbances at the Opera. The Napoleonic Repubblica Cisalpina and Its Theatres”.

Conference Presentation / Presentazione in conferenza “Annual Midlands Music Research”, Nottingham, April 19-20, 2021.

“City Bands, Orphanages and Amateur Organists. Sacred Music in the Lombard Countryside at the End of the Nineteenth Century”.

Conference Presentation / Presentazione in conferenza “Between Centres and Peripheries. Music in Europe from the French Revolution until WWI (1789-1914)”, Lucca, May 6-9, 2021.

“The Sacred Cantata and the Oratorio at the Twilight of the Aragonese Dominion over Naples: Cristoforo Caresana (1640-1709) and His Works for the Filippini Congregation”.

Conference Presentation / Presentazione in conferenza “El patrimonio musical de la Corona de
Aragón”, Valencia, June 3-5, 2021.

“Neapolitan Comic Da Capo Arias: A Rhetorical Compositional Theory”.

Conference presentation / Presentazione in conferenza “Birmingham Baroque”, Birmingham, July
15-17, 2021.

“Solfeggio Practice and Compositional Methods in Eighteenth-Century Neapolitan Da Capo Arias”.

Conference Presentation / Relazione in conferenza “BrumMAC”, Birmingham, July 28-30.